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Made for only $350,000 in 1985 when no one wanted to fund or star in a movie about lesbians, Desert Hearts is widely considered the first full-length lesbian love story, and its success paved the way for the proliferation of lesbian films we enjoy today. Directed by Donna Deitch and set in 1950's Reno, Nevada, Desert Hearts tells the story of a 35-year-old uptight female professor Vivian (Helen Shaver) who comes to town to file for divorce and ends up falling in love with a free-spirited 25-year-old casino worker Cay (Patricia Charbonneau). Although Vivian left her husband because she had "drowned in still waters," she is not quite prepared for the tidal wave-effect Cay has on her life. As Vivian herself admits, her life is all about "order," and her image of herself as a scholar and a professional, upstanding woman does not include a relationship with a woman. Cay, meanwhile, is living at home with her stepmother, Frances (Audra Lindley) while she waits to meet someone who "counts"--and she almost immediately recognizes that Vivian is that someone. Both women struggle with conflicting desires and a sense of obligation to others, and are ultimately drawn together not just because of their attraction to each other, but because each woman offers the other something she has been unable to find on her own.。隆冬季节，东北某市正在举行全省冰上运动会。获得女子滑冰冠军的不是数年连冠的王冬燕，而是新秀丁淑萍。王为夺回失掉的冠军，拒绝了某中学学生于丽萍的求教，独自苦练。丁淑萍则主动热情地帮助于丽萍。使她取得很大进步。于有些骄做，受到丁的批评，于赌气走了。在一次爬山练习中，王冬燕遇险，被丁所救，丁摔伤了自己。于听说此事非常感动。丁去海滨疗养，她发现自己所爱的歌唱家罗林，心中爱的是于丽萍，便决定放弃对罗的感情。于知道了这些，自己也有意和罗疏远。丁疗养回来，促使于、罗重归于好。后来，丁和王冬燕的哥哥王冬舟相爱。一年以后，于丁王三人一起参加全国冰上运动会，比赛中，于让丁取得500米冠军，丁批评她不该这么做。在3000米比赛时，三人都刷新了全国纪录，于丽萍获得冠军。 　　影片以冰上姐妹团结友爱，互相鼓励，共同进步的动人故事，显示了丁淑萍乐于助人，舍己为人，富有牺牲精神的良好道德风尚与高贵品质，同时也对骄傲、自私等不良思想倾向给予了批评。影片具有较强的时代感，把握了健康向上、积极进取的基调，使影片的冲突置于感情基础之上，洋溢着热情、友爱、朝气蓬勃的气氛。该片是我国电影艺术中较早反映冰上体育事业的影片，表现了冰上运动力与美的结合，以及冰上运动员的生活面貌。。主人公李忠诚是一个有妇之夫，与妻子陈青拥有一个女儿以南。看似平静的家庭背后，是李忠诚对家庭的背叛。他的情人叫刘雪纯，这个年轻女孩厌倦了这样的生活，试图与酒吧服务生吕天乐开始一段新的正常的感情生活。此时，李忠诚虽与情人分手，但为了满足自己变态的欲望，他买通了赌徒吴强，企图用金钱让刘雪纯的男友陷入赌博的漩涡，破坏她已经安定的生活。刘雪纯沉浸在安逸的生活中，以为自己得到了幸福，那边自以为报复得手的李忠诚并不知晓，妻子已经罹患了癌症……这是片子说的故事。而片子所要揭示的却是另一层意思：生活的真实中隐藏着虚伪，虚伪中隐藏着真切；平淡中埋藏着危急，惬意中埋伏着欺骗……这是关于生活的寓言。 导演文武强调：“这是一部关于我们目前某种精神状态寓言性的影片”，所以细节会成为最重要的表现形式。”而在强调细节的过程中，长沙不是单纯意义上的空间，而是一个角色，承担着表达任务的角色。它不仅在暗示、象征人生活的特征，而且诠释人在这个空间里生存的体验。这正是我们现代化过程的城市，它包含某种荒诞，失落和茫然的语境。。