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故事开始于七十年代的北京。一批部队子弟在什刹海溜冰场不期而遇，宋京生（丁志诚 饰）与辛黑子（傅彪 饰）因罗冬娜（刘蓓 饰）发生龉龃，并以决斗论胜负。后来，他们都参军去了部队，宋京生还因救人负了重伤，罗冬娜写信问候，不料信落在了李东征（李朝晖 饰）之手，致使俩人发生误解。被宋京生救过的辛平平（咏梅 饰）爱上救命恩人，无奈宋心中只装着罗冬娜。在部队事业如日中天的宋建军（张涵予 饰），始终回避着小惠（陶虹 饰）频投的橄榄枝，而罗冬娜对李东征的献殷勤则表示了厌恶。退伍回家的宋京生和辛黑子、小胖（王佳宁 饰）办起个体饭馆自谋生路，而先前拒绝接受辛平平的京生父母终于松了口。在那个特殊年代里，毎个青年人都在践行着自己的梦想......。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。如果史提芬史匹堡、湯告魯斯、茱利亞羅拔絲要來港宣傳，這節目將會是全港唯一選擇！ 比如果史提芬史匹堡、湯告魯斯、茱利亞羅拔絲要來港宣傳，這節目將會是全港唯一選擇！ 比 Talk show 更多口水，比綜藝更多娛樂。上至荷里活巨星，下至市井小人物，將會直接面對群眾，由谷德昭發掘前所未見、最貼地的一面。。