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宋大卫和爱人唐蓉都是“霹雳小组”的成员，在一次追捕行动中与犯罪天才元安展开了一场生死决战。在这场战斗中，大卫成功打断了元安的手臂，但随后发生的爆炸使元安逃脱，而大卫则身受重伤，最终成为了植物人。七年后，宋大卫苏醒过来，却发现周围的环境和人事已经完全改变。他的爱人唐蓉已经结婚，还成为了“霹雳小组”的主管。公安局也已经实现了现代化和电脑化。大卫的事业和爱情都受到了巨大的打击，他不得不强忍痛苦，适应新的环境。 然而，大卫的宿敌元安却改头换面，继续犯下罪行。他绑架了基因工程科家的李博士，逼迫他制造“再造人”，利用这些“再造人”为非作歹。元安自称为“上帝之手”，声称自己的行为是出于一种天职。面对这样的局面，宋大卫义不容辞，决定向上级请缨，追捕元安，保护社会的安宁。故事情节扣人心弦，充满了对正义和邪恶的斗争，同时也探讨了人性的复杂性和道德的边界。。Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately| Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction| but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average| but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!。